American Art Collaborative

"The scene depicts one of the crossings, and not a favorable one. The water is deep and Bull boats must be resorted to. The Trapper in the foreground looking back at the approaching Caravan is waiting for orders, while others are testing the depth of the river by swimming across with faint hopes of any fording that will answer so as to avoid the construction of boats. The preparation of the latter loses much time,- sufficient Buffalo must be killed at once to furnish the hides, and while one party is in search of these, another is removing the goods from the larger wagons and taking the bodies from the wheels;- hides are sewed and streched over them, and the contents of all the other vehicles transferred,- the boats are then floated over by the men wading and swimming along-side. Canadian Trappers display wonderful good nature on such occasions, singing their simple French songs;- but when any fighting is to be done, the Kentuckian and Missourian take precedence by long odds." A.J. Miller, extracted from "The West of Alfred Jacob Miller" (1837). In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.