Untitled (Barnyard)
![](https://iiif.museum.colby.edu/image/2010.331_001/full/512%2C/0/default.jpg)
As subject matter, barnyards were nearly as common as lions in Langlais’s late work. Crammed together in tight, space-filling arrangements, his farm creatures cohabitate cheek by jowl, the shape of one neatly defining the contour of the next in a way reminiscent of the interlocking images in Langlais’s early paintings. In Untitled (Barnyard) he emphasizes those shapes and contours with black outlines—a technique dating back to his student days.
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